The Detection Club

There is probably much truth in these observations, and they are in any case difficult to confute. If Mr. John Rhode, for example, could be induced to commit a real murder by one of the ingeniously simple methods he so easily invents in fiction, and if Mr. Freeman Wills Cfofts, say, would undertake to pursue him, Bradshaw in hand, from Stranraer to Saint Juan-les-Pins, then indeed, we might pu the matter to the test. But writers of detection fiction are, as a rule, not bloodthirsty people They avoid physical violence, for two reasons: first, because their muderous feelings are so efficiently blown-off in print as to have little energy left for boiling up in action, and secondly, because they are so accustomed to the idea that murders are made to be detected that they feel a whole-some reluctance to put their criminal theories into practice. While, as for doing real detecting, the fact is that few of them have the time for it, being engaged in earning their bread and butter like reasonable citizens, unblessed with the ample leisure of a Wimsey or a Father Brown.

But the next best thing to a genuine contest is a good game, and The Floating Admiral is the detection game as played out on paper by certain members of the Detection Club among themselves. And here it may be asked: What is the Detection Club?

It is a private association of writers of detective fiction in Great Britain, existing chiefly for the purpose of eating dinners together at suitable intervals and of talking illimitable shop. It owes no allegiance to any publisher, nor, though willing to turn an honest penny by offering the present venture to the public, is it primarily concerned with making money. It is not a committee of judges for recommending its own or other people's books, and indeed has no object but to amuse itself. Its membership is confined to those who have written genuine detective stories (not adventure tales or "thrillers") and election is secured by a vote of the club on recommendation by two or more members, and involved the undertaking of an oath.

While wild horses would not drag from me any revelation of the solemn ritual of the Detection Club, a word as to the nature of the oath is, perhaps, permissible. Put briefly, it amounts to this: that the authors pledges himself to play the game with the public and with his fellow-authors. His detectives must detect by their wits, without the help of accident or coincidence; he must not invent impossible death-rays and poisons to produce solutions which no living person could expect; he must write as good English as he can. He must preserve inviolable secrecy concerning his fellow-members; forthcoming plots and titles, and he must give any assistance in his power to members who need advice on technical points. If there is any serious aim behind the avowedly frivolous organisation of the Detective Club, it is to keep the detective story up to the highest standard that its nature permits, and to free it from the bad legacy of sensationalism, clap-trap and jargon with which it was unhappily burdened in the past.

Now, a word about the conditions under which The Floating Admiral was written. Here, the problem was made to approach as closely as possible to a problem of real detection. Except in the case of Mr. Chesterton's picturesque Prologue, which was written last, each contributor tackled the mystery presented to him in the preceding chapters without having the slightest idea what solution or solutions the previous authors had in mind. Two rules only were imposed. Each writer must construct his instalment with a definite solution in view- that is, he must not introduce new complications merely "to make it more difficult." He must be ready, if called upon, to explain his own clues coherently and plausibly; and to make sure that he was playing fair in this respect, each writer was bound to deliver, together with the manuscript of his own chapter, his own proposed solution of the mystery. These soluitons are printed at the end of the book for the benefit of the curious reader.

Secondly, each writer was bound to deal faithfully with all the difficulties left for his consideration by his predecessors. If Elma's attitude toward love and marriage appeared to fluctuate strangely, or if the boat was put into the boat-house wrong end first, those facts must form part of his solution. He must not dismiss them as caprice or accident, or present an explanation inconsistent with them. Naturally, as the clues became in process of time more numerous, the suggested solutions few more complicated and precise, while the general outlines of the plot gradually hardened and fixed themselves. But it is entertaining and instructive to not the surprising number of different interpretations which may be devised to account for the simplest actions. Where one writer may have laid down a clue, thinking that it could point only in one obvious direction, succeeding writers have managed to make it point in a direction exactly opposite. And it is here, perhaps, that the game approximates most closely to real life. We judge one another by our outward actions, but in the motive underlying these actions our judgement may be widely at fault. Preoccupied by our own private interpretation of the matter, we can see only the one possible motive behind the action, so that our solution may be quite plausible, quite coherent, and quite wrong. And here, possibly, we detective-writers may have succeeded in wholesomely surprising and confounding ourselves and one another. We are only too much accustomed to let the great detective say airily: "Cannot you see, my dear Watson, that these facts admit of only one interpretation?" After our experience inthe matter of The Floating Admiral, our great detectives may have to learn to express themselves more guardedly.